so it goes

Apr 15

bombing:

[tries to crowd surf at a TED talk]

(via harperisafairy)


Apr 8
“i am mine.
before i am ever anyone else’s.”
in, nayyirah waheed (via soldadera-del-amor)

(via browngurlwfro)


Apr 7

sappling:

how many “take me to the museum and make out with me” posts can y’all make like damn you’re horny and pretentious we get it

(via largeandlovely)


“My first love
was some insignificant boy
when it should have been
myself.”
Michelle K., First Love. (via asimetricna-vagina)

(via largeandlovely)


makeupbox:

How to use Duos, Trios, Quads, Quintets???! (A few basic shapes that work with all eye shapes)

The first thing I always tell people when it comes to eye shadow application is - find your socket line. And learn to separate that from your crease. 

image

There is a myth about applying shadows “on/within your crease”. Well that’s fine if you have very defined, even, thick lid folds. But if you have hooded eyes, mono-lids, or smaller lids where the crease is either not visible or not high enough, many eye-shadow looks can be very unflattering or they simply disappear when you open your eyes. 

What to do? Simply replace the word “crease” with “socket line” from today on. If you have mono-lids and hooded lids, it’s important to blend your shadows UP TO your socket line at least. That not only defines your natural contours but also widens the eye. 

  1. Your socket line is where your eyeball dips into your orbital bone. Close your eyes and feel for it.
  2. Flattering eyeshadow looks are all about "creating shadow and light" in the right places. Even if your eye contours aren’t very defined naturally, placing a bit of deeper color along your socket line and a pale shade in the center of your lid will create the illusion of more pronounced contours without making you look too dramatic.
  3. I DON’T recommend creating a fake socket line higher or lower than your natural one. It can go very very wrong unless you’re an absolute pro.
  4. Many times we use brushes that are way too big or fluffy. If you have small lids or eyes, a smaller, round-ferrule pencil brush like the one from 13rushes can make life a lot easier. Go for the flatter, wider brushes if you have a bigger lid space to work with. 

Now that we’ve got that covered, you can get back to the question of “what the heck do I do with this palette that has 2-3-4-5 shades?!” and look at the images above as a reference for where colors go.

Don’t be restricted by the image with the 4 shadow palettes and the labels on each of the shades. It’s there as a reference but the best thing is to look at the eye charts, because you can use any 2 shades in a quad or a 5-color palette as a duo using a DUO diagram.

Steps don’t include liner (optional) and mascara, so you just add them later.

THESE ARE NOT RULES. They’re just basic guidelines for those who aren’t too familiar with eye makeup yet. 

Lastly, when looking for eyeshadow palettes, here are some beginners’ tips:

  1. My palette has one cream/liner/glitter shade! Well, take those out of the equation and see how many regular shadows are left. If there are 3, shadows left, follow the TRIO diagram. If there are 2, follow the DUO diagrams. 
  2. Erm, so what do I do with base/liner/glitter shades? Apply the base all over from lash line to socket bone before you begin (you don’t need to go all the way to your brows unless you want a dramatic look). For glitter shades, you can apply them as a wash all over when you’re done with the rest of your eyeshadows, or down the center of the eye for a “wet look” when you blink. Liner shades are self explanatory!
  3. DUOS: look for those where 1 shade is the same lightness or lighter than your skin color, and 1 shade is darker/smokier. Doesn’t matter if they are metallic, shimmery, matte, sparkly. For most basic daily makeup looks, you just need a light and dark to define your eyes. 
  4. All palettes: make sure there is a "balance of light to dark shades". This means at least 1 softer shade and at least 1 dark shade that is deep enough to act as a definer shade. (There are a lot of palettes where all 3-4 shades are pretty shimmery pastels. Well, sorry but they’ll look nicer on your vanity table than on your face. You need a darker shade there for definition and contouring in order for the palette to look flattering. 
  5. QUADS: What do you do if there are 2 pale shades? Which should you apply on your brow bone, and which as an accent in the center of your eye? The less shimmery/sparkly one on the brow bone, and the more dramatic and reflective one on the center of the eye. If they’re about the same texture, then it doesn’t matter which you use where.
  6. 5-6 SHADE PALETTES: Many people find them overwhelming, but you really don’t need to wear all the colors everyday. You can pick 2-3 shades and wear them as a duo or trio (See diagrams) easily. So they actually give you the most options!

Some Idiot-proof Eyeshadow recommendations:

Duos: Laura Mercier eyeshadow duos. Always well coordinated, with 1 soft/matte shade and 1 darker, richer one. Takes the guess-work out of eyeshadow application.

Trios: A lot of drugstore brands like Wet n Wild Color Icon have pre-coordinated trios with the shades marked out as lid, crease, browbone for you. Just remember “crease” = socket line. In the higher end range, Dior’s 3 Couleurs are beautifully coordinated and easy to use and blend.

Quads: Tom Fords and Chanels have some of the easier to use luxe quads in the market, but if you’re going for the Tom Fords, remember to minus out the sparkle shades. (E.g. 01 Golden Mink is what I’d consider a duo, not a quad, because there are 2 sparkle shades out of the 4, and I’d apply the 2 satin shades using one of the DUO diagrams above, and then decide how I want to apply the sparkles.)

**Laneige Pure Radiant eyeshadow quads (S$40) are a fantastic alternative - not dupes cos there are no exact palette matches, but great alternatives - for Tom Fords (S$100) because the satins and glitter textures, as well as a few of the shades, are actually very very similar. If you love the look of TFs but find the prices a little steep in Asia, take a look at the Laneige counter! See for yourself!

image

Quintets: Lancome’s Hypnose palettes are still one of my favorites. They usually have the BEST balance of dark and light shades, and they’re perfectly coordinated with each other, so you can pick any 2-3 shades out of the 5 and go.

**Diors are a good option if you have more mature lids or prefer smoother, more translucent pigments but the 5 couleurs are’t as well-balanced as Lancomes, so unless you’re very experienced and know how to add definition using liner and mascara, I’d pick a few colors and use these palettes as duos and trios rather than a quintet.

If you want to break the rules completely and do it like makeup artists do sometimes, NARS’ duos are pretty much on the opposite spectrum to Laura Mercier.

They do have light vs dark shades too, but there are also tons of funky clashing duos designed for maximum drama on the lids. Stuff like Rated R (lime and blue) and Bysance (yellow and violet) can still be applied using the 2 DUO diagrams above, but the final effect will be VERY bold. Probably better for the club than for school or work.

(via sourcedumal)


Mar 28

A FAT LITTLE GIRL
is eight years old, she’s got pink cheeks that her grandmother calls chubby. She wants a second cookie but her aunt says “you’ll get huge if you keep eating.” She wants a dress and the woman in the changing room says “she’ll probably need a large in that.” She wants to have dessert and her waiter says “After all that dinner you just had? You must be really hungry!” and her parents laugh.

A FAT LITTLE GIRL
is eleven and she is picked second-to-last in gym class. She watches a cartoon and sees that everyone who is annoying is drawn with a big wide body, all sweaty and panting. At night she dreams she is swelling like the ocean over seabeds. When she wakes up, she skips school.

A FAT LITTLE GIRL
is thirteen and her friends are stick-thin ballerinas with valleys between their hipbones. She is instead developing the wide curves of her mother. She says she is thick but her friends argue that she’s “muscular” and for some reason this hurts worse than just admitting that she jiggles when she walks and she’ll never be a dancer. Eating seconds of anything feels like she’s breaking some unspoken rule. The word “indulgent” starts to go along with “food.”

A FAT LITTLE GIRL
is fourteen and she has stopped drinking soda and juice because they bloat you. She always takes the stairs. She fidgets when she has to sit still. Whenever she goes out for ice cream, she leaves half at the bottom - but someone else always leaves more and she feels like she’s falling. She pretends to like salad more than she does. She feels eyes burrowing through her body while she eats lunch. Kate Moss tells her nothing tastes as good as skinny feels, but she just feels like she is wilting.

A FAT LITTLE GIRL
is fifteen the first time her father says “you’re getting gaunt.” She rolls her eyes. She eats one meal a day but thinks she stays the same size. Every time she picks up a brownie she thinks of the people she sees on t.v. and every time she has cake, she thinks of the one million magazine articles on restricting calories. She used to have no idea a flat stomach was supposed to be beautiful until she saw advice on how to achieve it. She cuts back on everything. She controls. They tell her she’s getting too thin but she doesn’t believe it.

A FAT LITTLE GIRL
is sixteen and tearing herself into shreds in order for a thigh gap big enough to hush the screams in her head. She doesn’t “indulge,” ever. She can’t go out with friends, they expect her to eat. She damns her sweet tooth directly to hell. It’s coffee for breakfast and tea for lunch and if there’s dance that evening, two cups of water and then maybe an apple. She lies all the time until she thinks the words will rot her teeth. She dreams about food when she sleeps. Her aunt begs her to eat anything, even just a small cookie. They say, “One bite won’t make you fat, will it, darling?”

A FAT LITTLE GIRL
is seventeen and too sick to go to prom because she can’t stand up for very long. She thinks she wouldn’t look good in a dress anyway. Her nails are blue and not because they are painted. Her hair is too thin to do anything with. She’s tired all the time and always distracted. She once absently mentions the caloric value of grapes to the boy she is with and he looks at her like she’s gone insane and in that moment she realizes most people don’t have numbers constantly scrolling in their heads. She swallows hard and tries to figure out where it all went wrong, why more than a granola bar for a meal makes her feel sick, why she tastes disease and courts with death. She misses sleep. She misses being able to dream. She misses being herself instead of just being empty.

A FAT LITTLE GIRL
is twenty and writes poetry and is a healthy weight and still fights down the voices every single day. She puts food in her mouth and sometimes cries about it but more and more often feels good, feels balanced. Her cheeks are pink and they are chubby and soft and no longer growing slight fur. Her hair is long and it is beautiful. She still picks herself apart in the mirror, but she’s starting to get better about it. She wears the dress she likes even if it only fits her in a large and she doesn’t feel like a failure for it. She is falling in love with the fat on her hips.

She is eating out with friends and not worrying about finding the lowest calorie item on the menu when she hears a mother tell her four year old daughter “You can’t have ice cream, we just had dinner.
You don’t want to end up as a fat little girl.”

Why do we constantly do this to our children? /// r.i.d (via inkskinned)

(via welookoutuponthesea)


Mar 11

(via thefrogman)


Feb 23
theholyfandoms:

yourdailynarcissist:

pro·cras·ti·na·tion prəˌkrastəˈnāSHən,prō-/ noun 1. the action of delaying or postponing something.


Show this to your teacher and they would understand

theholyfandoms:

yourdailynarcissist:

pro·cras·ti·na·tion
prəˌkrastəˈnāSHən,prō-/
noun
1. the action of delaying or postponing something.

Show this to your teacher and they would understand

(via fatgoddess)


tonygogodaddy:

Transylvanians, unite!

tonygogodaddy:

Transylvanians, unite!

(via fatgoddess)


Feb 22
ghostwerld:


crystal formations in a pool

I don’t even care how much it’d hurt I would probably try and swim in this if given the opportunity. FUCKIN’ CRYSTAL POOL.

ghostwerld:

crystal formations in a pool

I don’t even care how much it’d hurt I would probably try and swim in this if given the opportunity. FUCKIN’ CRYSTAL POOL.

(via laylawknee)


dichotomization:

This girl is set to be euthanised (by heartstick, which is very painful and terrifying) this week and hasn’t had much interest in her because 1 she is a pit bull mix and 2 because she is brindle. She needs money donated into her fund for a rescue to pull her from this VERY high kill shelter where the dog can THEN be adopted from. Sadly pit bull mixes in Georgia can only be adopted from a rescue centre and if this dog receives her funds a rescue will be willing to rescue her! For more information check out https://facebook.com/profile.php?id=339511346067908 and please reblog this and donate by clicking the link below if you can! 

"140567- LIVVIE Female Pit Mix

https://fundrazr.com/campaigns/dhfB0/ab/61VcX1?

These animals are at Clayton County Animal Control at 1396 Government Circle Jonesboro, GA 30236. For help with rescue coordination, please email jmpartnersccac@gmail.com, ccacpartners@gmail.com, ansearcher@gmail.com”

dichotomization:

This girl is set to be euthanised (by heartstick, which is very painful and terrifying) this week and hasn’t had much interest in her because 1 she is a pit bull mix and 2 because she is brindle. She needs money donated into her fund for a rescue to pull her from this VERY high kill shelter where the dog can THEN be adopted from. Sadly pit bull mixes in Georgia can only be adopted from a rescue centre and if this dog receives her funds a rescue will be willing to rescue her! For more information check out https://facebook.com/profile.php?id=339511346067908 and please reblog this and donate by clicking the link below if you can!

"140567- LIVVIE Female Pit Mix

https://fundrazr.com/campaigns/dhfB0/ab/61VcX1?

These animals are at Clayton County Animal Control at 1396 Government Circle Jonesboro, GA 30236. For help with rescue coordination, please email jmpartnersccac@gmail.com, ccacpartners@gmail.com, ansearcher@gmail.com”

(via ailurophilewithstyle)


Feb 21

Feb 15
certan:

omg who left these at my door

certan:

omg who left these at my door

(via blo0dstainedbikinis)


Feb 14
vaganja:

thebigblackwolfe:


Amanda Lepore, Carmen Carrera and Laverne Cox at NYFW

THIS IS RLY IMPORTANT

THIS IS PERFECT.

vaganja:

thebigblackwolfe:

Amanda Lepore, Carmen Carrera and Laverne Cox at NYFW

THIS IS RLY IMPORTANT

THIS IS PERFECT.

(via yesysabella)


Feb 13

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